S.Sudjojono: Lives of Pictures

2014

Organised by ADM Gallery, S. Sudjojono: Lives of Pictures features artworks by the late Indonesian painter, S.Sudjojono (1913-1986), considered the father of modern painting in Indonesia. It is is part of Seabad S.Sudjojono 1913 – 2013 (The Centennial Celebration of S.Sudjojono) to commemorate the 100th anniversary of the birth of this Indonesian artist who continues to influence artists in Indonesia and beyond.
 
The exhibition excavates the untold stories of Sudjojono’s artworks, revealing their varied and changing histories, telling about their displays and reception, their acquisitions, changes of ownership and stories that speak of how they are remembered by individuals. These narratives are made visible by archival materials that are presented for the first time, including photographs, writings by Sudjojono, and video interviews with the artist that enable reconstructing the ‘lives’ of these works and illuminating our appreciation of them.
 
For this exhibition, we developed an identity which took inspiration from the archival and celebratory nature of this exhibition that was applied across print, web and environmental graphics. Teal was heavily used, especially seen in the poster and catalogue design as a symbolic representation for, in S.Sudjojono’s terms, the color of Indonesia.
 
Credits
Event Documentation: Fareez Ahmad

 

ADM Graduates Programme

2014

Nanyang Technological University’s School of Art, Design and Media is Singapore’s first professional art school to offer the complete suite of Bachelor, Master and PhD programmes. Through the incorporation of creative practices and research, ADM’s graduate programmes are an incubator for the development of creative ideas spanning across disciplines and the graduates are expected to transform the field.
 
We designed an interesting multi-fold brochure to highlight the programme information as well as the application procedures. The brochure opens up to display the beautiful facade of the campus.

 

Paradise Lost

2014

Paradise Lost is the inaugural exhibition of the newly established Centre for Contemporary Art in Singapore, January 2014. Conceived as a constellation of three artistic productions that together explore narratives of travel and migration, place and displacement, the personal intertwined with colonial history. The exhibition juxtaposes trans-generational perspectives, bringing together three major installations of moving image: Surname Viet Given Name Nam by Trinh T. Minh-ha, Yellow Patch by Zarina Bhimji and Disorient by Fiona Tan. While all three artists are of Asian descent, their education and artistic practice unfolded in Europe and the US, and gained international exposure from there. This is the first time these works are shown in Asia in an exhibition context.
 
Paradise Lost introduces an imaginary Asia — Asia as a space of projections and desires stemming from an experience of dislocation and asynchronicity. We took inspiration from this for the exhibition branding, creating a distinctive identity which express notions of nostalgia and poetry across all print, marketing and environmental design.

 

CCA Talks

2014

In conjunction with Art Stage Singapore 2014, the Centre for Contemporary Arts (CCA) presented CCA Talks at Art Stage, which featured an exciting array of artists, curators, writers, academics and other art world personalities. This series of talks focuses on the challenges and particulars of the regional art landscape. Convened by Lee Weng Choy, CCA’s Deputy Director and Senior Curator (designate), this year’s programme engages the ‘We are Asia’ theme of the art fair in three sessions: Hong Kong vs Singapore, Art & Knowledge and Local Art Institutions: New Horizons.
 
For this, we designed an interesting promotional brochure which detailed the schedules of the talks and the profiles of the various speakers. The brochure also doubled up as a poster when fully opened.

 

Centre for Contemporary Art

2014

The CCA—Centre for Contemporary Art is a research centre of Nanyang Technological University (NTU), developed with support from the Singapore Economic Development Board, officially opened in October 2013.
 
The CCA embraces artistic, academic and scholarly research, and views contemporary art as a form of knowledge production in its own right. Through a holistic approach, the CCA’s three main areas of activity—exhibitions, residencies and research—are intertwined and feed into each other, shaping organically the profile and programme of the institution.
 
We were commissioned to develop their brand identity ranging from their logo, stationary & marketing materials as well as way-finding systems. During its inaugural phase, we also designed a series of materials to promote the “Free Jazz” events, a series of programmes where creatives, cultural producers and intellectuals come to improvise together and contribute to the thinking and envisioning of the potentials for this new Centre for Contemporary Art.

 

 

“Free Jazz” Event Poster

 

Free Jazz, Performance by trio Bani Haykal, Ila and Syv Bruzeau, December 2013.

Photography: Luca Lum

 

Free Jazz Inaugural Event, Lee Wen performing: “WE HERE SPEND TIME # 2”, Collaborative action conceived by Jason Wee and Lee Wen in collaboration with Angie Seah, Karl Kerridge and Jordan Rais, October 2013.

Photography: Wahid Subarmah

 

Free Jazz Inaugural Event, OFFCUFF performance (Bani Haykal, Mohamad Riduan, Shahila Baharom and Wu Jun Han), October 2013.

Photography: Wahid Subarmah